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ืžื•ื–ื™ืงื” ื•ืžื”ืคื›ื” ื‘ืฉื ื•ืช ื”-60 ื”ืืจื•ื›ื•ืช

ืขื•ื“ื›ืŸ: 24 ื‘ื“ืฆืžืณ 2020

ืคื•ืกื˜ ื–ื” ืžื›ื™ืœ ื‘ื™ืงื•ืจืช ืœืฉืœื•ืฉื” ืกืคืจื™ื ืฉื ื›ืชื‘ื” ืขืœ ื™ื“ื™ ืคืจื•ืค' ืขื•ื“ื“ ื”ื™ื™ืœื‘ืจื•ื ืจ, ื—ื•ืงืจ ื‘ื™ื˜ืœืก. ื”ื‘ื™ืงื•ืจืช ื”ืชืคืจืกืžื” ื‘ืžื’ื–ื™ืŸ Twentieth-Century Music 14/3, 2018.


ื”ื‘ื™ืงื•ืจืช ื”ื™ื ืœืฉืœื•ืฉืช ื”ืกืคืจื™ื -

Jon Savage, 1966: The Year the Decade Exploded (London: Faber & Faber, 2015).


Dominic Sandbrook, The Great British Dream Factory: The Strange History of Our National Imagination

(London: Allen Lane, 2015).


Peter Doggett, Electric Shock: From the Gramophone to the iPhone โ€“ 125 Years of Pop Music (London:

Bodley Head, 2015).


ื”ื•ืจื™ื“ื• ืืช ื”ืงื•ื‘ืฅ ื›ื“ื™ ืœืงืจื•ื ืืช ื”ื‘ื™ืงื•ืจืช ื‘ืžืœื•ืื”.

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